• Projects - Photography & Video
    • Waiting For A Stranger 2019
    • Building A Fort 2017
    • Rock, Paper, Scissors 2016 - 2018
    • My Grandfather's Honey Butter Spread 2017
    • 40 Days In The Lab 2015 - 2016
    • Encounters At The Park 2010 - 2014
    • 1,000 Feet 2009 - 2012
    • Nino and Tota Hauling Bananas 2012
    • Savegre, del río nuevo, Costa Rica 2008 - 2009
  • Projects - Collage
    • 2025 Community Garden Collages
    • Rooted Year 2 - July - August 2025
    • Pink / Yellow / Black Collages 2022 - 2025
    • Primary Colors Collages 2022 - 2025
    • Blue / Green / Black Collages 2022 - 2025
    • Black & White Darkroom Photography Materials Collages 2022 - 2025
    • Rooted July 2024
    • Scraps 2019
  • Studies
    • Studies: Against Exactness 2020
    • Studies: Savegre, Costa Rica, 2019
    • Studies: Transformations 2018 - 2020
    • Studies: Letters To Grandma 2018
    • Studies: Invisible Growth 2018
    • Studies: Hexagons 2018
  • Collaborations
    • Twilight Wires July 2022
    • Haze May 2022
    • Colorforms April 2022
    • Homing Instincts Oct. – Jan. 2022
    • Slipping Over The Dark Hills: A Retrospective of Eric Lindbloom, Nancy Willard, and Judith Lindbloom
  • Curatorial Projects
    • A Small Stack of Streams, Stones and Shells - July 2022
    • SKETCH/CUT/STITCH Sept. 9 - Oct. 17, 2022
    • A Feel For The Place Sept. 2022
    • Daydreaming Feb. – April 2022
    • In Good Company Aug. – Oct. 2021
    • Work Prints: Eric Lindbloom's Panoramas of the Hudson Valley
  • Curatorial Essays
  • Artist Talks
    • MTFCit Artists' Talk
    • Slipping Over The Dark Hills
    • Barrett Art Center 'Photowork 2018' - 2018
  • Artist Interviews
    • Artist Interviews
  • Installation Views
  • About
  • Press
  • Menu

Sasha Louis Bush

  • Projects - Photography & Video
    • Waiting For A Stranger 2019
    • Building A Fort 2017
    • Rock, Paper, Scissors 2016 - 2018
    • My Grandfather's Honey Butter Spread 2017
    • 40 Days In The Lab 2015 - 2016
    • Encounters At The Park 2010 - 2014
    • 1,000 Feet 2009 - 2012
    • Nino and Tota Hauling Bananas 2012
    • Savegre, del río nuevo, Costa Rica 2008 - 2009
  • Projects - Collage
    • 2025 Community Garden Collages
    • Rooted Year 2 - July - August 2025
    • Pink / Yellow / Black Collages 2022 - 2025
    • Primary Colors Collages 2022 - 2025
    • Blue / Green / Black Collages 2022 - 2025
    • Black & White Darkroom Photography Materials Collages 2022 - 2025
    • Rooted July 2024
    • Scraps 2019
  • Studies
    • Studies: Against Exactness 2020
    • Studies: Savegre, Costa Rica, 2019
    • Studies: Transformations 2018 - 2020
    • Studies: Letters To Grandma 2018
    • Studies: Invisible Growth 2018
    • Studies: Hexagons 2018
  • Collaborations
    • Twilight Wires July 2022
    • Haze May 2022
    • Colorforms April 2022
    • Homing Instincts Oct. – Jan. 2022
    • Slipping Over The Dark Hills: A Retrospective of Eric Lindbloom, Nancy Willard, and Judith Lindbloom
  • Curatorial Projects
    • A Small Stack of Streams, Stones and Shells - July 2022
    • SKETCH/CUT/STITCH Sept. 9 - Oct. 17, 2022
    • A Feel For The Place Sept. 2022
    • Daydreaming Feb. – April 2022
    • In Good Company Aug. – Oct. 2021
    • Work Prints: Eric Lindbloom's Panoramas of the Hudson Valley
  • Curatorial Essays
  • Artist Talks
    • MTFCit Artists' Talk
    • Slipping Over The Dark Hills
    • Barrett Art Center 'Photowork 2018' - 2018
  • Artist Interviews
    • Artist Interviews
  • Installation Views
  • About
  • Press

© Sasha Louis Bush 2021

 

View fullsize Fred Shaw's Crates, New Paltz, NY
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View fullsize El rincón de Alida, Savegre, Río Nuevo, Pérez Zeledón, Costa Rica
View fullsize Nate's Parent's House, 81 Raymond Ave., Poughkeepsie, NY
View fullsize Bushwick Community Darkroom #2, Bushwick, NY
View fullsize Bushwick Community Darkroom #5, Bushwick, NY