• Projects
    • Rooted July 2024
    • Calendar 2020
    • Left Overs 2020
    • Waiting For A Stranger 2019
    • Building A Fort 2017
    • Rock, Paper, Scissors 2016 - 2018
    • My Grandfather's Honey Butter Spread 2017
    • 40 Days In The Lab 2015 - 2016
    • Encounters At The Park 2010 - 2014
    • 1,000 Feet 2009 - 2012
    • Nino and Tota Hauling Bananas 2012
    • Savegre, del río nuevo, Costa Rica 2008 - 2009
  • Studies
    • Studies: Against Exactness 2020
    • Studies: Savegre, Costa Rica 2019
    • Studies: Savegre, Costa Rica, 2019
    • Studies: Transformations 2018 - 2020
    • Studies: Letters To Grandma 2018
    • Studies: Invisible Growth 2018
    • Studies: Hexagons 2018
    • Studies: Digital Scraps 2016 - 2020
  • Collaborations
    • Twilight Wires July 2022
    • Haze May 2022
    • Colorforms April 2022
    • Homing Instincts Oct. – Jan. 2022
    • Slipping Over The Dark Hills: A Retrospective of Eric Lindbloom, Nancy Willard, and Judith Lindbloom
  • Curatorial Projects
    • SKETCH/CUT/STITCH Sept. 9 - Oct. 17, 2022
    • A Feel For The Place Sept. 2022
    • Daydreaming Feb. – April 2022
    • In Good Company Aug. – Oct. 2021
    • Work Prints: Eric Lindbloom's Panoramas of the Hudson Valley
  • Curatorial Essays
  • Artist Talks
    • MTFCit Artists' Talk
    • Slipping Over The Dark Hills
    • Barrett Art Center 'Photowork 2018' - 2018
  • Artist Interviews
    • Artist Interviews
  • Installation Views
  • About
  • Press
  • Menu

Sasha Louis Bush

  • Projects
    • Rooted July 2024
    • Calendar 2020
    • Left Overs 2020
    • Waiting For A Stranger 2019
    • Building A Fort 2017
    • Rock, Paper, Scissors 2016 - 2018
    • My Grandfather's Honey Butter Spread 2017
    • 40 Days In The Lab 2015 - 2016
    • Encounters At The Park 2010 - 2014
    • 1,000 Feet 2009 - 2012
    • Nino and Tota Hauling Bananas 2012
    • Savegre, del río nuevo, Costa Rica 2008 - 2009
  • Studies
    • Studies: Against Exactness 2020
    • Studies: Savegre, Costa Rica 2019
    • Studies: Savegre, Costa Rica, 2019
    • Studies: Transformations 2018 - 2020
    • Studies: Letters To Grandma 2018
    • Studies: Invisible Growth 2018
    • Studies: Hexagons 2018
    • Studies: Digital Scraps 2016 - 2020
  • Collaborations
    • Twilight Wires July 2022
    • Haze May 2022
    • Colorforms April 2022
    • Homing Instincts Oct. – Jan. 2022
    • Slipping Over The Dark Hills: A Retrospective of Eric Lindbloom, Nancy Willard, and Judith Lindbloom
  • Curatorial Projects
    • SKETCH/CUT/STITCH Sept. 9 - Oct. 17, 2022
    • A Feel For The Place Sept. 2022
    • Daydreaming Feb. – April 2022
    • In Good Company Aug. – Oct. 2021
    • Work Prints: Eric Lindbloom's Panoramas of the Hudson Valley
  • Curatorial Essays
  • Artist Talks
    • MTFCit Artists' Talk
    • Slipping Over The Dark Hills
    • Barrett Art Center 'Photowork 2018' - 2018
  • Artist Interviews
    • Artist Interviews
  • Installation Views
  • About
  • Press

© Sasha Louis Bush 2021

 

View fullsize Fred Shaw's Crates, New Paltz, NY
View fullsize Dada's Office #4, Vassar College, Poughkeepsie, NY
View fullsize El rincón de Alida, Savegre, Río Nuevo, Pérez Zeledón, Costa Rica
View fullsize Nate's Parent's House, 81 Raymond Ave., Poughkeepsie, NY
View fullsize Bushwick Community Darkroom #2, Bushwick, NY
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